Movement Research Judson

Delving Deep into the Revolutionary World of Movement Research Judson

Introduction:

Are you fascinated by the intersection of dance, performance art, and radical social commentary? Then prepare to embark on a journey into the groundbreaking world of Movement Research Judson. This isn't just about dance steps; it's about a pivotal moment in American art history that redefined the very notion of movement and its capacity for social and political expression. This comprehensive guide will explore the origins, key figures, influential works, lasting legacy, and enduring relevance of this revolutionary movement. We'll delve into its core philosophies, analyze its impact on contemporary performance, and illuminate its continued influence on artists and thinkers today. Prepare to be captivated by the innovative spirit and enduring power of Movement Research Judson.


1. The Genesis of Movement Research Judson: A Post-War Awakening

Movement Research Judson wasn't born overnight. It emerged in the vibrant, experimental artistic landscape of post-war New York City, a time of significant social and political upheaval. The Judson Dance Theater, formed in the early 1960s, wasn't simply a dance company; it was a crucible of experimentation, drawing inspiration from diverse sources, including post-modern dance, minimalist art, and Happenings. This period fostered a spirit of rebellion against traditional dance forms and embraced improvisation, chance operations, and a rejection of hierarchical structures within the art world. The artists involved actively challenged societal norms and explored the body as a site of both personal and political expression. The Judson Church, providing a readily available and affordable space, became the unlikely incubator for this radical artistic movement.

2. Key Figures Shaping the Movement Research Judson Landscape

The success of Movement Research Judson rested on the shoulders of a constellation of remarkably talented and visionary artists. Names like Trisha Brown, Yvonne Rainer, Steve Paxton, Deborah Hay, and Lucinda Childs are synonymous with this era, each contributing unique perspectives and choreographic styles. Their collaborative spirit and willingness to push boundaries created a synergy that fueled the movement's revolutionary impact. Understanding their individual contributions—Brown's exploration of gravity and minimalist aesthetics, Rainer's politically charged and anti-narrative choreography, Paxton's focus on contact improvisation, Hay's emphasis on the body's relationship to space, and Childs' precision and structural rigor—is crucial to grasping the movement's multifaceted nature. They didn’t just create dances; they developed a whole new philosophy of movement.


3. Deconstructing Dance: Core Principles and Aesthetics of Movement Research Judson

Movement Research Judson fundamentally challenged conventional notions of dance. It rejected the narrative structures and emotional expressiveness dominant in earlier forms, opting instead for a focus on process, minimalism, and the exploration of the body's physical possibilities. The emphasis shifted from virtuosity to the exploration of everyday movement, incorporating elements of chance, improvisation, and simple, repetitive gestures. This deconstruction of dance was not just an aesthetic choice; it was a statement about the nature of art itself, questioning its hierarchical structures and its relationship to society. This ethos influenced everything from the choreography itself to the performance spaces and the relationship between performer and audience.

4. The Lasting Legacy and Enduring Influence of Movement Research Judson

The ripples from Movement Research Judson continue to spread across the landscape of contemporary dance and performance art. Its emphasis on process, improvisation, and the exploration of everyday movement profoundly influenced generations of artists. The movement's rejection of traditional hierarchies paved the way for greater inclusivity and diversity within the field. The work of artists associated with the movement continues to be studied and performed, demonstrating its relevance and ongoing impact. The legacy is not just about specific choreographic works; it's about a mindset, an approach to art-making that encourages experimentation, pushes boundaries, and embraces collaboration.

5. Movement Research Judson in the 21st Century: Relevance and Continued Exploration

Despite its origins in the 1960s, Movement Research Judson retains remarkable relevance in the 21st century. Its focus on social commentary, experimentation, and the body's capacity for self-expression continues to resonate with contemporary artists grappling with similar issues. The movement's rejection of spectacle and its emphasis on process-based work offers a counterpoint to the often hyper-commercialized nature of contemporary performance. The emphasis on collaboration and shared creation remains a powerful model for artistic practice, offering a refreshing alternative to the often-individualistic nature of the art world. The spirit of experimentation and radical questioning of norms continues to inspire artists to push creative boundaries.


Book Outline: "The Judson Revolution: A History of Movement Research Judson"

Introduction: The socio-political context of post-war America and the emergence of the Judson Dance Theater.
Chapter 1: Key figures and their individual contributions to the movement.
Chapter 2: A deep dive into the core aesthetic principles and choreographic innovations of the movement.
Chapter 3: Analysis of significant works and their lasting impact.
Chapter 4: The influence of Movement Research Judson on contemporary dance and performance art.
Chapter 5: A discussion of the movement's enduring relevance and continued influence.
Conclusion: The legacy of Movement Research Judson and its ongoing impact on the artistic landscape.


(Detailed explanation of each chapter would follow here, expanding on the points made in the corresponding sections of the main article. This would add considerably to the word count, providing in-depth analysis of each aspect of Movement Research Judson. Due to space constraints, this detailed expansion is omitted here.)


FAQs:

1. What was the Judson Dance Theater? The Judson Dance Theater was a collective of artists in the early 1960s that fundamentally changed the course of dance. They rejected traditional approaches to dance, emphasizing experimentation and improvisation.

2. Who are some of the key figures associated with Movement Research Judson? Trisha Brown, Yvonne Rainer, Steve Paxton, Deborah Hay, and Lucinda Childs are among the most prominent figures.

3. What were the core principles of Movement Research Judson? Minimalism, process-based work, improvisation, and a rejection of narrative structure were central principles.

4. How did Movement Research Judson influence contemporary dance? It fostered a greater focus on process, experimentation, and the body's physical capabilities, influencing generations of choreographers.

5. What is the significance of the Judson Church? The Judson Church provided a crucial space for the artists of the movement to experiment and collaborate.

6. How did social and political context influence Movement Research Judson? The post-war era of social and political upheaval profoundly shaped the experimental nature of the movement.

7. Is Movement Research Judson still relevant today? Absolutely. Its emphasis on process, experimentation, and social commentary resonates powerfully in contemporary society.

8. What makes Movement Research Judson unique? Its radical rejection of traditional dance aesthetics and its profound influence on subsequent generations of artists make it unique.

9. Where can I learn more about Movement Research Judson? Researching archives, viewing documentaries, and exploring the works of individual artists associated with the movement are excellent starting points.


Related Articles:

1. Trisha Brown's Early Works: A Study in Minimalist Aesthetics: Examining Brown's seminal pieces and their influence on the Judson movement.
2. Yvonne Rainer's "Trio A": Deconstructing Dance and Narrative: Analyzing Rainer's iconic work and its political undertones.
3. Steve Paxton's Contact Improvisation: A Revolutionary Approach to Movement: Exploring the origins and impact of Paxton's groundbreaking technique.
4. Deborah Hay's Solo Works: The Body as a Site of Exploration: Focusing on Hay's solo performances and their focus on process and the body's relationship to space.
5. Lucinda Childs' Minimalist Choreography: Structure and Precision: Analyzing Childs' unique approach to choreography and its contribution to the Judson movement.
6. The Judson Church: A Crucible of Artistic Innovation: Exploring the history and significance of this iconic space.
7. Postmodern Dance: A Historical Overview: Placing Movement Research Judson within the broader context of postmodern dance.
8. Improvisation in Contemporary Dance: Tracing the evolution of improvisation from the Judson movement to current practice.
9. The Legacy of Minimalism in the Arts: Discussing the broader influence of minimalism across various artistic disciplines, including dance.


  movement research judson: Democracy's Body Sally Banes, 1993 Judson Dance Theater involved such collaborators as Merce Cunningham, Yvonne Rainer, Steve Paxton, Carolee Schneemann, Trisha Brown, Robert Rauschenberg, David Tudor, et al.
  movement research judson: Corporate Futures George E. Marcus, 1998-07-20 This is part of a series of annuals designed to probe cultural, institutional and geopolitical change as the 20th century closes. The books provide in-depth interviews with those closely involved with these changes. This volume focuses on the investment of corporations in the concept of culture.
  movement research judson: Judson Dance Theater: the Work Is Never Done , 2018-09-13 An exploration of Judson Dance Theater's radical influence on postwar American art history and its lasting impact on contemporary artistic discourse. Taking its name from the Judson Memorial Church, a socially engaged Protestant congregation in New York's Greenwich Village, Judson Dance Theater was organized as a series of open workshops from which its participants developed performances. Redefining the kinds of movement that could count as dance, the Judson participants - Trisha Brown, Lucinda Childs, Philip Corner, Bill Dixon, Judith Dunn, David Gordon, Alex Hay, Deborah Hay, Fred Herko, Robert Morris, Steve Paxton, Rudy Perez, Yvonne Rainer, Robert Rauschenberg, Carolee Schneemann and Elaine Summers, among others - would go on to profoundly shape all fields of art in the second half of the 20th century. Judson Dance Theater: The Work Is Never Done highlights the ongoing significance of the history of Judson Dance Theater. Published in conjunction with an exhibition at The Museum of Modern Art, it charts the development of Judson, beginning with the workshops and classes led by Anna Halprin, Robert Ellis Dunn and James Waring, and exploring the influence of other figures working downtown such as Simone Forti and Andy Warhol, as well as venues for collective action like Judson Gallery and the Living Theatre. Lushly illustrated with film stills, photographic documentation, reproductions of sculptural objects, scores, music, poetry, architectural drawings and archival material, the publication celebrates the group's multidisciplinary and collaborative ethos as well as the range of its participants.
  movement research judson: Beauty Is Experience Emmaly Wiederholt, 2017-04-01 Beauty is Experience is a collaboration between dancer/writer Emmaly Wiederholt and photographer Gregory Bartning. For more than two years, they collected interviews and photographs of dancers over age 50 along the West Coast. Spanning from Los Angeles and the San Francisco Bay Area to Portland and Seattle, the culmination includes over 50 interviews with dancers ranging in age from 50 to 95, and ranging in practice from ballet and Argentine tango to African and contact improvisation.
  movement research judson: On Refuge Richard Gough, 1997 A 'refuge' provides a place of safety, a place which constitutes the necessary conditions for making work. But what are the conditions of making work for the displaced, exiled or the migrant artist when the 'place' and conditions for work have (perhaps) been erased? On Refuge looks at how such altered conditions affect the work of performance and considers how performance constructs its own production and survival. The contributors address issues of territory and asylum, home and exile, locality and migration - as they affect both artists themselves and the forms evident in contemporary performance.
  movement research judson: Using the Sky Deborah Hay, 2015-08-27 In the mid 1990’s Deborah Hay’s work took a new turn. From her early experiments with untrained dancers, and after a decade of focusing on solo work, the choreographer began to explore new grounds of choreographic notation and transmission by working with experienced performers and choreographers. Using the Sky: a dance follows a similar path as Hay’s previous books—Lamb at the Altar and My Body the Buddhist—by exploring her unrelenting quest for ways to both define and rethink her choreographic imagery through a broad range of alternately intimate, descriptive, poetic, analytical and often playful engagement with language and writing. This book is a reflection on the experiments that Hay set up for herself and her collaborators, and the ideas she discovered while choreographing four dances, If I Sing to You (2008), No Time to Fly (2010), A Lecture on the Performance of Beauty (2003), and the solo My Choreographed Body (2014). The works are revisited by unfolding a trove of notes and journal entries, resulting in a dance score in its own right, and providing an insight into Hay’s extensive legacy and her profound influence on the current conversations in contemporary performance arts.
  movement research judson: Contemporary PerforMemory Layla Zami, 2020-12-31 Contemporary PerforMemory looks at dance works created in the 21st century by choreographers identifying as Afro-European, Jewish, Black, Palestinian, and Taiwanese-Chinese-American. It explores how contemporary dance-makers engage with historical traumas such as the Shoah and the Maafa to reimagine how the past is remembered and how the future is anticipated. The new idea of perforMemory arises within a lively blend of interdisciplinary theory, interviews, performance analysis, and personal storytelling. Scholar and artist Layla Zami traces unexpected pathways, inviting the reader to move gracefully across disciplines, geographies, and histories. Featuring insightful interviews with seven international artists: Oxana Chi, Zufit Simon, André M. Zachery, Chantal Loïal, Wan-Chao Chang, Farah Saleh, and Christiane Emmanuel.
  movement research judson: Moving Sites Victoria Hunter, 2015-03-27 Moving Sites explores site-specific dance practice through a combination of analytical essays and practitioner accounts of their working processes. In offering this joint effort of theory and practice, it aims to provide dance academics, students and practitioners with a series of discussions that shed light both on approaches to making this type of dance practice, and evaluating and reflecting on it. The edited volume combines critical thinking from a range of perspectives including commentary and observation from the fields of dance studies, human geography and spatial theory in order to present interdisciplinary discourse and a range of critical and practice-led lenses through which this type of work can be considered and explored. In so doing, this book addresses the following questions: · How do choreographers make site-specific dance performance? · What occurs when a moving body engages with site, place and environment? · How might we interpret, analyse and evaluate this type of dance practice through a range of theoretical lenses? · How can this type of practice inform wider discussions of embodiment, site, space, place and environment? This innovative and exciting book seeks to move beyond description and discussion of site-specific dance as a spectacle or novelty and considers site-dance as a valid and vital form of contemporary dance practice that explores, reflects, disrupts, contests and develops understandings and practices of inhabiting and engaging with a range of sites and environments. Dr Victoria Hunter is Senior Lecturer in Dance at the University of Chichester.
  movement research judson: Footnotes Elena Alexander, Jill Johnston, Douglas Dunn, Marjorie Gamso, Ishmael Houston-Jones, Kenneth King, Yvonne Meier, Sarah Skaggs, 2013-10-15 The writings of six choreographers are assembled in this book and the leap they have taken to go from the medium of choreography into written text constitutes a form of translation. Some of the texts investigate the possibilities of written language as invention, others use it as a means to illustrate specific tenets or describe choreographic projects. All yield insight into the process of coaxing language from the body.
  movement research judson: Blue Sky Body Ben Spatz, 2019-12-11 Blue Sky Body: Thresholds for Embodied Research is the follow-up to Ben Spatz's 2015 book What a Body Can Do, charting a course through more than twenty years of embodied, artistic, and scholarly research. Emerging from the confluence of theory and practice, this book combines full-length critical essays with a kaleidoscopic selection of fragments from journal entries, performance texts, and other unpublished materials to offer a series of entry points organized by seven keywords: city, song, movement, theater, sex, document, politics. Brimming with thoughtful and sometimes provocative takes on embodiment, technology, decoloniality, the university, and the politics of knowledge, the work shared here models the integration of artistic and embodied research with critical thought, opening new avenues for transformative action and experimentation. Invaluable to scholars and practitioners working through and beyond performance, Blue Sky Body is both an unconventional introduction to embodied research and a methodological intervention at the edges of contemporary theory.
  movement research judson: Performed Ethnography and Communication D Soyini Madison, 2018-04-27 Performed Ethnography and Communication explores the relationships between these three key terms, addressing the impact of ethnography and communication on the cutting edge of performance studies. Ranging from digital performance, improvisation and the body, to fieldwork and staged collaboration, this volume is divided into two main sections: Embodied technique and practice, which addresses improvisation, devised theatre-making, and body work to consider what makes bodies move, sound, behave, mean, or appear differently, and the effects of these differences on performance; Oral history and personal narrative performance, which is concerned with the ways personal stories and histories might be transformed into public events, looking at questions of perspective, ownership, and reception. Including specific historical and theoretical case studies, exercises and activities, and practical applications for improvisation, ethnography, and devised and digital performance, Performed Ethnography and Communication represents an invaluable resource for today’s student of performance studies, communication studies or cultural studies.
  movement research judson: The Artist's Guide to Grant Writing Gigi Rosenberg, 2010-12-14 The Artist’s Guide to Grant Writing is designed to transform readers from starving artists fumbling to get by into working artists who confidently tap into all the resources at their disposal. Written in an engaging and down-to-earth tone, this comprehensive guide includes time-tested strategies, anecdotes from successful grant writers, and tips from grant officers and fundraising specialists. The book is targeted at both professional and aspiring writers, performers, and visual artists who need concrete information about how to write winning grant applications and fundraise creatively so that they can finance their artistic dreams.
  movement research judson: Exclusive Revolutionaries Pieter M. Judson, 1996 Combines historical and cultural analysis to explain the path of German liberalism.
  movement research judson: Practicing Dance Jenny Coogan, 2016 Within the framework of the research project InnoLernenTanz at the Palucca University of Dance Dresden, in this book Jenny Coogan – professor of contemporary dance at the same institution – offers a forum in which she and guest authors consider questions such as: How are the parameters crucial to the understanding of contemporary dance, such as personal agency, actually embodied? How does the German system of dance education foster such parameters? How can somatic approaches contribute to encouraging dancers to experience their education from a first-person perspective of authority with enhanced self-reliance, self-reflection, and social consciousness? Practicing Dance: A Somatic Orientation includes accounts of field research, essays and interviews, as well as suggestions for studio practice that demonstrate the synergy between contemporary dance and the Feldenkrais Method. The range of perspectives offered invites critical reflection on methods to support young dance artists in embracing the twenty-first century challenges of professional performing careers.
  movement research judson: Conversations on Embodiment Across Higher Education Jennifer Leigh, 2018-09-14 Embodiment is a concept that crosses traditional disciplinary boundaries. However, it is a contested term, and the literature is fragmented, particularly within Higher Education. This has resulted in silos of work that are not easily able to draw on previous or related knowledge in order to support and progress understanding. Conversations on Embodiment Across Higher Education brings a cohesive understanding to congruent approaches by drawing on discussions between academics to explore how they have used embodiment in their work. This book brings academics from fields including dance, drama, education, anthropology, early years, sport, sociology and philosophy together, to begin conversations on how their understandings of embodiment have impacted on their teaching, practice and research. Each chapter explores an aspect of embodiment according to a particular disciplinary or theoretical perspective, and begins a discussion with a contributor with another viewpoint. This book will appeal to academics, researchers and postgraduate students from a diverse range of disciplinary areas, as evidenced by the backgrounds of the contributors. It will be of particular interest to those in the fields of education, sociology, anthropology, dance and drama as well as other movement or body-orientated professionals who are interested in the ideas of embodiment.​
  movement research judson: What a Body Can Do Ben Spatz, 2015-03-05 In What a Body Can Do, Ben Spatz develops, for the first time, a rigorous theory of embodied technique as knowledge. He argues that viewing technique as both training and research has much to offer current debates over the role of practice in the university, including the debates around practice as research. Drawing on critical perspectives from the sociology of knowledge, phenomenology, dance studies, enactive cognition, and other areas, Spatz argues that technique is a major area of historical and ongoing research in physical culture, performing arts, and everyday life.
  movement research judson: Ungoverning Dance Ramsay Burt, 2017 Ungoverning Dance examines recent contemporary dance in continental Europe. Placing this in the context of neoliberalism and austerity, it argues that dancers are developing an ethico-aesthetic approach that uses dance practices as sites of resistance against dominant ideologies. It attests to the persistence of alternative ways of thinking and living.
  movement research judson: Annual Report National Endowment for the Arts, Reports for 1980- include also the Annual report of the National Council on the Arts.
  movement research judson: MATTERS OF ACT: A Journal of Ideas No Collective,
  movement research judson: Pandemic Performance Kendra Capece, Patrick Scorese, 2021-11-30 Pandemic Performance chronicles the many ways that people are surviving/thriving through performance in a global pandemic. Covering artists and events from across the United States: from New York to California and from South Dakota to Texas, the chapters are equal parts theory and practice, weaving scholarship with personal experience from contributors who are interdisciplinary artists, scholars, journalists, and community organizers providing unique and invaluable perspectives on the complicated work of resilience during COVID-19. This study will hold interest for students and scholars in the performing arts, arts, and social justice as well as professional artmakers and creative community organizers.
  movement research judson: Choreographing Difference Ann Cooper Albright, 2010-06-01 The choreographies of Bill T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped establish dance as a crucial discourse of the 90s. These dancers, Ann Cooper Albright argues, are asking the audience to see the body as a source of cultural identity — a physical presence that moves with and through its gendered, racial, and social meanings. Through her articulate and nuanced analysis of contemporary choreography, Albright shows how the dancing body shifts conventions of representation and provides a critical example of the dialectical relationship between cultures and the bodies that inhabit them. As a dancer, feminist, and philosopher, Albright turns to the material experience of bodies, not just the body as a figure or metaphor, to understand how cultural representation becomes embedded in the body. In arguing for the intelligence of bodies, Choreographing Difference is itself a testimonial, giving voice to some important political, moral, and artistic questions of our time. Ebook Edition Note: All images have been redacted.
  movement research judson: TDR. , 2007
  movement research judson: Dancing with Georges Perec Leslie Satin, 2024-06-14 This book explores the relationship of the life and work of the remarkable Parisian-Jewish writer Georges Perec (1936–1983) to dance. Dancing addresses art-making parallels and their personal and sociocultural contexts, including Perec’s childhood loss of his parents in the Holocaust and its repercussions in the significance of the body, everydayness, space, and attention permeating his work. This book, emerging from the author Leslie Satin’s perspective as a dancer and scholar, links Perec’s concerns with those of dance and demonstrates that Perec’s work has implications for dance and how we think about it. Moreover, it is framed as a performative autobiographical enactment of the author's relationship to Perec, periodically linking their written, danced, and imagined lives. This exploration will be of great interest to dancers, dance scholars, and dance students interested in contemporary experimental dance and contemporary dance.
  movement research judson: American National Biography John A. Garraty, Mark C. Carnes, 2005-05-12 American National Biography is the first new comprehensive biographical dicionary focused on American history to be published in seventy years. Produced under the auspices of the American Council of Learned Societies, the ANB contains over 17,500 profiles on historical figures written by an expert in the field and completed with a bibliography. The scope of the work is enormous--from the earlest recorded European explorations to the very recent past.
  movement research judson: Time Out New York Time Out Magazine Ltd, 2005 From Museum Mile and Upper Fifth to Alphabet City and the Meatpacking District, this guide points visitors to both the well-known and the under-the-radar sights. It showcases the Big Apple's myriad cultural attractions, including the newly reopened Statue of Liberty and MoMAUs splashy new digs, and covers its phenomenal food scene.
  movement research judson: The Routledge Companion to Dance Studies Helen Thomas, Stacey Prickett, 2019-10-30 The Routledge Companion to Dance Studies maps out the key features of dance studies as the field stands today, while pointing to potential future developments. It locates these features both historically—within dance in particular social and cultural contexts—and in relation to other academic influences that have impinged on dance studies as a discipline. The editors use a thematically based approach that emphasizes that dance scholarship does not stand alone as a single entity, but is inevitably linked to other related fields, debates, and concerns. Authors from across continents have contributed chapters based on theoretical, methodological, ethnographic, and practice-based case studies, bringing together a wealth of expertise and insight to offer a study that is in-depth and wide-ranging. Ideal for scholars and upper-level students of dance and performance studies, The Routledge Companion to Dance Studies challenges the reader to expand their knowledge of this vibrant, exciting interdisciplinary field.
  movement research judson: Sharing the Dance Cynthia J. Novack, 1990-08-15 In Sharing the Dance, Cynthia Novack considers the development of contact improvisation within its web of historical, social, and cultural contexts. This book examines the ways contact improvisers (and their surrounding communities) encode sexuality, spontaneity, and gender roles, as well as concepts of the self and society in their dancing. While focusing on the changing practice of contact improvisation through two decades of social transformation, Novack’s work incorporates the history of rock dancing and disco, the modern and experimental dance movements of Merce Cunningham, Anna Halprin, and Judson Church, among others, and a variety of other physical activities, such as martial arts, aerobics, and wrestling.
  movement research judson: Shaping Dance Canons Kate Mattingly, 2023-04-04 Examining a century of dance criticism in the United States and its influence on aesthetics and inclusion Dance criticism has long been integral to dance as an art form, serving as documentation and validation of dance performances, yet few studies have taken a close look at the impact of key critics and approaches to criticism over time. The first book to examine dance criticism in the United States across 100 years, from the late 1920s to the early twenty-first century, Shaping Dance Canons argues that critics in the popular press have influenced how dance has been defined and valued, as well as which artists and dance forms have been taken most seriously. Kate Mattingly likens the effect of dance writing to that of a flashlight, illuminating certain aesthetics at the expense of others. Mattingly shows how criticism can preserve and reproduce criteria for what qualifies as high art through generations of writers and in dance history courses, textbooks, and curricular design. She examines the gatekeeping role of prominent critics such as John Martin and Yvonne Rainer while highlighting the often-overlooked perspectives of writers from minoritized backgrounds and dance traditions. The book also includes an analysis of digital platforms and current dance projects—On the Boards TV, thINKingDANCE, Black Dance Stories, and amara tabor-smith’s House/Full of BlackWomen—that challenge systemic exclusions. In doing so, the book calls for ongoing dialogue and action to make dance criticism more equitable and inclusive.
  movement research judson: The Production Notebooks, Volume 2 Mark Bly, 2015-07-15 The second volume in the series provides an inside view of the creative process involved in the creation of 4 major theatrical productions. Each notebook offers in diary form comprehensive histories of major artistic elements that are the center of the creative process. This volume includes: In the Blood by Suzan-Lori Parks (The Joseph Papp Public Theatre/New York Shakespeare Festival); The First Picture Show by David and Ain Gordon (Mark Taper Forum and American Conservatory Theatre), The Geography Project by Ralph Lemon (Yale Repertory Theatre) and Shakespeare Rapid Eye Movement, directed by Robert Lepage (Bayerisches Staatsschauspiel-Munich). Each notebook is profusely illustrated with production shots and/or set and costume renderings. Mark Bly is the Associate Artistic Director of the Yale Repertory Theatre.
  movement research judson: Reinventing Dance in the 1960s Sally Banes, 2003 The 1960s was a pivotal decade in dance, an era of intense experimentation and rich invention. In this volume an impressive range of dance critics and scholars examine the pioneering choreographers and companies of the era, such as Anna Halprin’s West Coast experiments, the innovative Judson Dance Theater, avant-garde dance subcultures in New York, the work of Meredith Monk and Kenneth King, and parallel movements in Britain. The contributors include Janice Ross, Leslie Satin, Noël Carroll, Gus Solomons jr., Deborah Jowitt, Stephanie Jordan, Joan Acocella, and Sally Banes.
  movement research judson: The Gift Barbara Browning, 2017-04-17 In the midst of Occupy, Barbara Andersen begins spamming people indiscriminately with ukulele covers of sentimental songs. A series of inappropriate intimacies ensued, including an erotically charged correspondence and then collaboration with an extraordinarily gifted and troubled musician living in Germany.
  movement research judson: Moving History/Dancing Cultures Ann Dils, Ann Cooper Albright, 2013-06-01 This new collection of essays surveys the history of dance in an innovative and wide-ranging fashion. Editors Dils and Albright address the current dearth of comprehensive teaching material in the dance history field through the creation of a multifaceted, non-linear, yet well-structured and comprehensive survey of select moments in the development of both American and World dance. This book is illustrated with over 50 photographs, and would make an ideal text for undergraduate classes in dance ethnography, criticism or appreciation, as well as dance history—particularly those with a cross-cultural, contemporary, or an American focus. The reader is organized into four thematic sections which allow for varied and individualized course use: Thinking about Dance History: Theories and Practices, World Dance Traditions, America Dancing, and Contemporary Dance: Global Contexts. The editors have structured the readings with the understanding that contemporary theory has thoroughly questioned the discursive construction of history and the resultant canonization of certain dances, texts and points of view. The historical readings are presented in a way that encourages thoughtful analysis and allows the opportunity for critical engagement with the text. Ebook Edition Note: Ebook edition note: Five essays have been redacted, including “The Belly Dance: Ancient Ritual to Cabaret Performance,” by Shawna Helland; “Epitome of Korean Folk Dance”, by Lee Kyong-Hee; “Juba and American Minstrelsy,” by Marian Hannah Winter; “The Natural Body,” by Ann Daly; and “Butoh: ‘Twenty Years Ago We Were Crazy, Dirty, and Mad’,”by Bonnie Sue Stein. Eleven of the 41 illustrations in the book have also been redacted.
  movement research judson: The Routledge Dance Studies Reader Alexandra Carter, Jens Giersdorf, Janet O'Shea, Yutian Wong, 1998 Represents the range and diversity of writings on dance from the 1980s and 1990s--P. [i].
  movement research judson: Queering Contemporary Asian American Art Laura Kina, Jan Christian Bernabe, 2017-05-16 Queering Contemporary Asian American Art takes Asian American differences as its point of departure, and brings together artists and scholars to challenge normative assumptions, essentialisms, and methodologies within Asian American art and visual culture. Taken together, these nine original artist interviews, cutting-edge visual artworks, and seven critical essays explore contemporary currents and experiences within Asian American art, including the multiple axes of race and identity, queer bodies and forms, kinship and affect, and digital identities and performances. Using the verb and critical lens of “queering” to capture transgressive cultural, social, and political engagement and practice, the contributors to this volume explore the connection points in Asian American experience and cultural production of surveillance states, decolonization and diaspora, transnational adoption, and transgender bodies and forms, as well as heteronormative respectability, the military, and war. The interdisciplinary and theoretically informed frameworks in the volume engage readers to understand global and historical processes through contemporary Asian American artistic production.
  movement research judson: Live in NYC Vesa Loikas, 2019-05-10 I am creating a moment for the viewer, to study the composition, and while taking a breath, create comparisons and juxtapositions, explains Loikas. It was like jazz and interaction with the dancers, where the communication was done by body language and movement rather than words and thoughts. We found a common groove, which exhibits itself with great results and timeless moments. Loikas photographed moments of dance, which became two-dimensional compositions, kind of human statues in different environments. The result where a moving dancer becomes still and dissolves into the surroundings, particularly interests him. He is also interested in how environment and architecture influence human senses and behavior. The photographs were created while Loikas received an artist residency in New York in 2013 by the Finnish Art Council and The Dance Centre of Western Finland.
  movement research judson: Dance Research Journal , 1998
  movement research judson: The Oxford Handbook of Dance and Politics Rebekah J. Kowal, Gerald Siegmund, Randy Martin, 2017 The Oxford Handbook of Dance and Politics presents cutting edge research investigating not only how dance achieves its politics, but also how notions of the political are themselves expanded when viewed from the perspective of dance.
  movement research judson: Time Out New York Editors of Time Out, 2012-07-13 Now in its 20th edition, Time Out New York provides the inside track on the Big Apple in an exhaustive guide with illuminating features and hundreds of independent unbiased venue reviews covering everything from iconic skyscrapers to buzzing neighborhoods. The guide offers an exhaustive overview of everything the city has to offer in terms of tourist attractions, eating and drinking, shopping, clubs and the sights — everything from pizza and bagels to shopping green. Comprehensive coverage of the city's incomparable arts and culture scene makes this an invaluable sourcebook for tourists and natives alike. An extensive month-by-month calendar of events is included. Escapes and excursions within relatively easy reach for day or overnight trips are also included.
  movement research judson: The Natural Body in Somatics Dance Training Doran George, 2020-10-05 From its beginnings as an alternative and dissident form of dance training in the 1960s, Somatics emerged at the end of the twentieth century as one of the most popular and widespread regimens used to educate dancers. It is now found in dance curricula worldwide, helping to shape the look and sensibilities of both dancers and choreographers and thereby influencing much of the dance we see onstage worldwide. One of the first books to examine Somatics in detail and to analyse how and what it teaches in the dance studio, The Natural Body in Somatics Dance Training considers how dancers discover and assimilate new ways of moving and also larger cultural values associated with those movements. The book traces the history of Somatics, and it also details how Somatics developed in different locales, engaging with local politics and dance histories so as to develop a distinctive pedagogy that nonetheless shared fundamental concepts with other national and regional contexts. In so doing it shows how dance training can inculcate an embodied politics by guiding and shaping the experience of bodily sensation, constructing forms of reflexive evaluation of bodily action, and summoning bodies into relationship with one another. Throughout, the author focuses on the concept of the natural body and the importance of a natural way of moving as central to the claims that Somatics makes concerning its efficacy and legitimacy.
  movement research judson: Michigan Muse , 2006