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Manitou Drum Circle: A Journey into Sacred Sound and Community
Introduction:
Have you ever felt the primal rhythm of a drum resonate deep within your soul? The Manitou drum circle offers just that – a powerful experience connecting you with ancient traditions, community spirit, and the profound healing power of sound. This comprehensive guide dives deep into the world of Manitou drum circles, exploring their history, significance, the benefits of participation, and how to find and engage with one. Whether you're a seasoned drum circle participant or a curious newcomer, prepare to embark on a journey that resonates far beyond the beat.
Understanding the Manitou Drum Circle Tradition:
The term "Manitou" originates from the Algonquian languages, referring to a spiritual power or sacred being. Manitou drum circles, therefore, represent a powerful connection to nature, spirituality, and ancestral wisdom. While the specific traditions may vary depending on the circle and the community leading it, several core elements remain consistent:
Sacred Space: Manitou drum circles often create a designated sacred space, emphasizing respect, mindfulness, and intention. This could involve using natural elements like sage for smudging or creating a circle of stones.
Community and Sharing: These gatherings are fundamentally about community. They foster connection, sharing, and mutual respect amongst participants, regardless of their backgrounds or experiences.
The Power of Rhythm: The rhythmic drumming itself is central to the experience. The repetitive beats create a hypnotic effect, promoting a meditative state and fostering a sense of unity. Many believe the rhythmic drumming helps to cleanse negative energies and promote healing.
Intention and Prayer: Many Manitou drum circles incorporate intentions and prayers. Participants may drum for healing, for personal growth, for the community, or for the Earth. This adds a layer of spiritual depth to the experience.
Respect for Ancestral Wisdom: The traditions are deeply rooted in the wisdom of indigenous cultures. Participation involves a degree of respect for these traditions and a willingness to learn and grow from them.
The Benefits of Participating in a Manitou Drum Circle:
Beyond the spiritual aspects, engaging in a Manitou drum circle offers numerous benefits for physical and mental well-being:
Stress Reduction: The rhythmic drumming and meditative atmosphere create a powerful environment for stress relief.
Emotional Release: Drumming can be a cathartic experience, allowing for the release of pent-up emotions.
Improved Mental Clarity: The focused rhythm can help improve concentration and mental clarity.
Enhanced Connection: The shared experience fosters a sense of community and connection with others.
Spiritual Growth: The intention-based drumming and spiritual atmosphere can facilitate personal growth and spiritual exploration.
Physical Well-being: The repetitive motion of drumming can be a gentle form of exercise.
Finding and Participating in a Manitou Drum Circle:
Finding a Manitou drum circle often involves some research. Online searches, local community centers, and spiritual groups are good starting points. Be mindful that respecting the traditions and protocols of the specific circle is crucial. It’s essential to contact the organizers beforehand to inquire about appropriate attire, etiquette, and any specific requests.
Etiquette and Respect in the Manitou Drum Circle:
Approaching a Manitou drum circle requires respectful behavior. This includes:
Arriving on time and prepared: Show respect by arriving promptly and ready to participate.
Observing the space: Pay attention to any instructions given by the circle's leaders.
Respectful participation: Engage respectfully, avoiding disruptive behavior.
Mindful listening: Listen attentively to the rhythm and the energy of the circle.
Leaving respectfully: Depart quietly and mindfully, expressing gratitude for the experience.
The Spiritual Significance of the Manitou Drum:
The drum itself holds deep spiritual significance. In many indigenous traditions, the drum is considered a sacred object, a conduit for communication with the spirit world. The sound of the drum is believed to resonate with the heartbeat of Mother Earth, connecting participants to a larger, universal rhythm.
Conclusion:
Manitou drum circles offer a transformative experience, blending ancient traditions with modern-day needs for community and spiritual connection. By participating, you can tap into the power of rhythm, foster personal growth, and experience the profound healing that comes from shared intention and mindful engagement. Embrace the beat, connect with your inner self, and discover the transformative power of the Manitou drum circle.
Article Outline:
Article Title: A Deeper Dive into Manitou Drum Circle Traditions and Practices
Introduction: Briefly introducing the topic and its significance.
Chapter 1: The History and Origins of Manitou Drumming: Exploring the historical roots and cultural context of Manitou drum circles.
Chapter 2: The Spiritual Significance of the Drum: Analyzing the sacred symbolism and power attributed to the drum within indigenous traditions.
Chapter 3: Modern Interpretations and Variations: Discussing the evolution of Manitou drum circles in contemporary society and diverse regional interpretations.
Chapter 4: Benefits and Applications of Manitou Drumming: Exploring the therapeutic, spiritual, and community-building benefits.
Chapter 5: Ethical Considerations and Respectful Participation: Emphasizing responsible engagement and cultural sensitivity.
Conclusion: Summarizing key points and encouraging further exploration.
(The detailed content for each chapter would then follow, expanding on the points outlined above. This section would be approximately 1000-1200 words, developing each chapter with rich detail and examples.)
FAQs:
1. What is a Manitou drum circle? A Manitou drum circle is a gathering where people drum together, often incorporating spiritual or ceremonial elements rooted in indigenous traditions.
2. What is the meaning of "Manitou"? "Manitou" is an Algonquian word referring to a spiritual power, sacred being, or force in nature.
3. Do I need experience to participate? No, most circles welcome beginners. The focus is on community and shared experience.
4. What should I wear to a Manitou drum circle? Comfortable clothing is recommended. Some circles may have specific guidelines, so it's best to inquire beforehand.
5. What if I don't know how to drum? Many circles provide drums or welcome participants to simply listen and absorb the experience.
6. Is there a cost to participate? Some circles may offer donation-based participation, while others are free.
7. What kind of drums are used? Typically, hand drums are used, often made from natural materials.
8. Are Manitou drum circles religious? While rooted in spiritual traditions, participation doesn't require adherence to any specific religious belief.
9. Where can I find a Manitou drum circle near me? Online searches, community centers, and spiritual groups are excellent starting points.
Related Articles:
1. The Healing Power of Rhythmic Drumming: Explores the therapeutic benefits of drumming for stress reduction and emotional well-being.
2. Indigenous Spirituality and Modern Practices: Examines the evolution and adaptation of indigenous spiritual traditions in contemporary society.
3. The Significance of Sacred Space in Ritual and Ceremony: Discusses the creation and importance of sacred space in various cultural practices.
4. Community Building through Shared Ritual: Highlights the role of ritual and shared experiences in fostering community connections.
5. A Beginner's Guide to Hand Drumming: Provides basic instructions and techniques for playing hand drums.
6. Understanding the Algonquian Culture and Traditions: Provides a broad overview of the Algonquian peoples and their rich cultural heritage.
7. The Role of Music in Indigenous Healing Practices: Examines the use of music and drumming in indigenous healing ceremonies.
8. Finding Your Spiritual Path: A Guide for Beginners: Offers guidance and resources for individuals exploring their spiritual journey.
9. Respectful Engagement with Indigenous Cultures: Emphasizes the importance of ethical and culturally sensitive engagement with indigenous communities and traditions.
| manitou drum circle: Manitou and God R. Murray Thomas, 2007-10-30 Manitou and God describes American Indian religions as they compare with principal features of Christian doctrine and practice. Thomas traces the development of sociopolitical and religious relations between American Indians and the European immigrants who, over the centuries, spread across the continent, captured Indian lands, and decimated Indian culture in general and religion in particular. He identifies the modern-day status of American Indians and their religions, including the progress Indians have made toward improving their political power, socioeconomic condition, and cultural/religious recovery and the difficulties they continue to face in their attempts to better their lot. Readers will gain a better sense of the give and take between these two cultures and the influence each has had on the other. In Algonquin Indian lore, Manitou is a supernatural power that permeates the world, a power that can assume the form of a deity referred to as The Great Manitou or The Great Spirit, creator of all things and giver of life. In that sense, Manitou can be considered the counterpart of the Christian God. From early times, the belief in Manitou extended from the Algonquins in Eastern Canada to other tribal nations—the Odawa, Ojibwa, Oglala, and even the Cheyenne in the Western plains. As European settlers made their way across the land, the confrontation between Christianity and Native American religions revealed itself in various ways. That confrontation continues to this day. |
| manitou drum circle: Reading Rock Art Grace Rajnovich, 2002-02-25 More than 400 rock paintings adorn the Canadian Shield from Quebec to Saskatchewan, the legacy of the Algonkian-speaking Cree and Ojibwa. |
| manitou drum circle: One Drum Richard Wagamese, 2019-10-19 “The most profound truth in the universe is this: that we are all one drum and we need each other.” —Richard Wagamese, One Drum Fans of Richard Wagamese’s writing will be heartened by the news that the bestselling author left behind a manuscript he’d been working on until shortly before his death in 2017. One Drum welcomes readers to unite in ceremony to heal themselves and bring harmony to their lives and communities. In One Drum, Wagamese wrote, “I am not a shaman. Nor am I an elder, a pipe carrier, or a celebrated traditionalist. I am merely one who has trudged the same path many of this human family has—the path of the seeker, called forward by a yearning I have not always understood.” One Drum draws from the foundational teachings of Ojibway tradition, the Grandfather Teachings. Focusing specifically on the lessons of humility, respect and courage, the volume contains simple ceremonies that anyone anywhere can do, alone or in a group, to foster harmony and connection. Wagamese believed that there is a shaman in each of us, and we are all teachers and in the world of the spirit there is no right way or wrong way. Writing of neglect, abuse and loss of identity, Wagamese recalled living on the street, going to jail, drinking too much, feeling rootless and afraid, and then the feeling of hope he gained from connecting with the spiritual ways of his people. He expressed the belief that ceremony has the power to unify and to heal for people of all backgrounds. “When that happens,” he wrote, “we truly become one song and one drum beating together in a common purpose—and we are on the path to being healed.” |
| manitou drum circle: Born With A Tooth Joseph Boyden, 2013-08-06 Before internationally acclaimed author Joseph Boyden penned his bestselling novel Three Day Road and his Scotiabank Giller Prize–winning novel, Through Black Spruce, he published a powerful collection of thirteen stories about modern Aboriginal life that made readers and reviewers take notice. These stories of love, loss, rage and resilience match virtuosic style with clever wit to turn stereotypes on their head and reveal the traditions and grace of our First Peoples. Readers come to know a butterfly-costumed boy fascinated by the world of professional wrestling, a young woman who falls in love with a wolf, to the leader of an all-girl Native punk band and Painted Tongue, the unforgettable character from Through Black Spruce. Though each story is told in a different and distinct voice, they are all united by their captivating vitality, nuanced perceptions and vigorous prose. |
| manitou drum circle: A Work in Progress Michael R. Gaudet, 2017-09-22 Following the success of his first book, Dancing with Rejection: A Beginner’s Guide to Immortality, the Canadian artist, author, and kidney health advocate Michael R. Gaudet brings us the second part to his captivating trilogy of memoirs. A Work in Progress: The Life My Brother Saved picks up where book one left off, chronicling Gaudet’s arrival in Saskatchewan with his soon-to-be first wife. Still reeling from his near-death experience as the result of kidney failure, the loss of his father, and the launch of his ambitious career, Gaudet finds himself diving into new projects and experiences on the prairies. His daughter Pearl arrives to the world, born with a congenital kidney condition that puts great strain on Gaudet and his already-troubled relationship with his wife.While navigating the struggles of his daughter’s illness as well as his own, Gaudet continues his personal journey towards healing and success. His spiritual experiences include a life-affirming vision quest alongside his dear friend, a First Nations Medicine Man, as well as the creation of a magnificent mural in a church that brings him closer to God. Enduring various phases of love and loss, Gaudet eventually discovers his soul mate with whom he traverses the vast provinces of Canada.In this fascinating life story, Gaudet offers us glimpses into his bohemian lifestyle and rise to fame as a distinguished Canadian artist. Writing in the style of magical realism, he seamlessly weaves mysticism into his prose. He also speaks with fearless realism of what it means to live with kidney disease, bringing awareness and attention to this insidious condition. As a survivor and an artist, his narrative voice pushes through hardship to bear a wider message about living a fulfilling life and pursuing one’s dreams. |
| manitou drum circle: Surviving the City Tasha Spillett, 2019-03-01 Miikwan and Dez are best friends. Miikwan is Anishinaabe; Dez is Inninew. Together, the teens navigate the challenges of growing up in an urban landscape—they’re so close, they even completed their Berry Fast together. However, when Dez’s grandmother becomes too sick, Dez is told she can’t stay with her anymore. With the threat of a group home looming, Dez can’t bring herself to go home and disappears. Miikwan is devastated, and the wound of her missing mother resurfaces. Will Dez’s community find her before it’s too late? Will Miikwan be able to cope if they don’t? |
| manitou drum circle: Music & Ritual Mark Howell, Raquel Jimenez, Rupert Till, Arnd Adje Both, 2013-12-31 The ICTM Study Group on Music Archaeology was founded in the early 1980s by Ellen Hickmann, John Blacking, Mantle Hood and Cajsa S. Lund. This is the first volume of the new anthology series published by the study group, turning to the topic of music and religion in past cultures. Each volume of the series is composed of concise case studies, bringing together the world's foremost researchers on a particular subject, reflecting the wide scope of music-archaeological research world-wide. The series draws in perspectives from a range of different disciplines, including newly emerging fields such as archaeoacoustics, but particularly encouraging both music-archaeological and ethnomusicological perspectives. |
| manitou drum circle: A Practical Guide to Hand Drumming and Drum Circles Shannon Ratigan, 2009 This 6 x 9 paperback is over 300 pages of text, and it%u2019s jammed with practical information, suggestions, and ideas for people who love hand drumming, or who are interested in starting up a drum circle, or drumming program for their group. The focus is on sharing as much information about hand drumming, and drum circles as possible. For example, six different ways to quickly jot down drum rhythm notations. I include a few dozen written drum rhythm notations, and lots more that are written vocalizations. There is also my sample set list (or worksheet) of various rhythms I use for a 90 minute facilitated drum circle. It's sort of an outline that I use and then improvise from as needed. It gives you an easy to follow guideline for almost any form of drum circle, or interactive group drumming. Facilitated, specialty, hosted circles, and rhythmic drumming events. I also include two chapters on open freestyle community drum circles which are often misunderstood or even misrepresented. Everything from a rockin' drum circle - to a healing drum circle, plus the many different ways to approach them. I discuss how to go about building a drumming program in many of the specialty areas such as: Drumming with special needs groups, health and wellness. Drumming with children, teens, adults, elders, and mixed age groups. Drum circles in night clubs, cafe%u2019s, at businesses, corporations, and events. Drum circles with at risk populations, spiritual gatherings, and community events. Working with music directors, educational teachers, music therapists, and medical professionals. Even if you are just someone who just wants to get a drum circle going at the beach or at a public park, this read will give you plenty of ideas how to get it started up, or improve the one you currently have going. I also cover the business side of drum circles. Are you wanting to start one just for fun? Or only cover your expenses? Want to earn a full time living from it? I cover all that, and lots more. I hope to help you along your drumming journey. Hand drumming and drum circles enriched my life, and I think it will for you as well. I hope you can benefit from some of the things I've done right, as well as the things I%u2019ve done wrong. It doesn't matter if you are new to hand drumming, have been drumming for a while, or are a professional musician, this book is loaded with good information on getting more enjoyment out of hand drumming, and from drum circles. -SL Ratigan drumcircles.net. |
| manitou drum circle: The Castaways of the Prairie Flack (Captain.), 1869 |
| manitou drum circle: The 53rd Parallel Carl Nordgren, 2014-05-08 In his evocative debut novel Carl Nordgren weaves an ambitious tale about the power of dreams, the hope of new beginnings, and the dangers of ghosts who haunt our past.In The 53rd Parallel, book one of the River of Lakes series, Brian Burke emigrates from 1950s West Ireland to the wilderness of Northwest Ontario with his partner Maureen O’Toole. He’s been exiled from his village, and she is running from her IRA past.The dreams of an Ojibway clan elder bring the Irish to the sacred place on the River, where they build The Great Lodge of Innish Cove. The dreams tell of a white man who will destroy the River and another who will protect it. While the Ojibway believe Brian and Maureen are the River’s guardians, Maureen’s IRA connections and the construction of a pulp mill upstream threaten to destroy the newly created Eden before it even begins.Under the watchful eye of a warrior spirit, the clan and their Irish companions risk all they love to protect the River and the promises it holds for their future. The fates of the two groups will intertwine as both seek to ward off the encroachment of the modern world.In The 53rd Parallel readers will find a rich tapestry that weaves together the literary influences of such giants as Peter Matthiessen, Ken Kesey, Jack London, and Ernest Hemingway (who briefly appears in Book 2 of the River of Lakes series). |
| manitou drum circle: From the Roots Up Tasha Spillett, 2020-10-27 Dez’s grandmother has passed away. Grieving, and with nowhere else to go, they’re living in a group home. On top of everything else, Dez is navigating a new relationship and coming into their identity as a Two-Spirit person. Miikwan is crushing on the school’s new kid Riel, but doesn’t really understand what Dez is going through. Will she learn how to be a supportive ally to her best friend? Elder Geraldine is doing her best to be supportive, but she doesn’t know how to respond when the gendered protocols she’s grown up with are being thrown into question. Will Dez be comfortable expressing their full identity? And will their community relearn the teachings and overcome prejudice to celebrate them for who they are? |
| manitou drum circle: Ordinary Grace William Kent Krueger, 2014-03-04 Includes an excerpt from William Kent Krueger's This tender land. |
| manitou drum circle: Reparation Laine Cunningham, 2016-02-17 NATIONAL AWARD WINNER Sharp Objects meets Everything I Never Told You in a relentlessly creepy family saga. Perfect for viewers of “Twin Peaks,” “Dark Places,” and “Westworld.” “Beautifully written. The work of a master craftsman.” Grady Harp, Vine Voice “Endlessly compelling.” Writer's Digest To save his sister, Aidan Little Boy must confront the darkness that lives in the heart of America’s frontier. When his sister joins a group living on a remote ranch, Aidan Little Boy encourages her. For four years, he has been their mother’s caretaker and hasn’t been the brother he wants to be. The group offers Fanny new friendships and a community deeply embedded with their father’s Native American traditions. But the ranch holds ancient secrets that threaten to spin Fanny into a darkness she is too innocent to understand. As Aidan investigates the group, he unearths a web of lies that trace back to America’s settlement. Unsure who to trust, he opens his heart to a Cherokee herbalist as they uncover a plot so shocking they must risk their own lives to save innocent ones. Hailed as “endlessly compelling,” Reparation is an emotional tour de force about the dangers one man must face to rescue his family as well as himself. Comparable titles: Gone Girl, Dark Places, Save Yourself, Bury This, The Girl on the Train, The Poisonwood Bible, The Silent Wife, In the Woods, Cartwheel, Carrie, Beneath the Scarlet Sky, The Horse Whisperer, American Gods, 1Q84, Blindsighted, I’m Watching You, Night, Killers of the Flower Moon, The Lost City of Z, The Light Between Oceans, The Handmaid’s Tale, They Both Die at the End, Riding Lessons, The Immortalists, The Round House, We Are Called to Rise, Calling Me Home, The Turner House, Plainsong, and Winter’s Tale. Honorable Mention, Writer's Digest 2016 Ebook Award Shortlisted for Three National Awards The language has a well-crafted poetry, an impression that is immediate and indelible. The backstory is quick-moving...so heartbreaking. Manitou's character grows and grows in complexity [while the] hero [goes] through absolute hell. It's a huge and compelling struggle. Just a beautifully written book. Endlessly compelling. A fascinating fusion of forms.” Writer's Digest Judge, 4th Annual Ebook Awards A fascinating read that was hard to put down. Highly recommended. J. Phillips, Library Thing Reviewer The writing and imagery are beautiful, and I would definitely recommend the book to adults looking for a smooth, thrilling read. Angel Leya, Goodreads Reviewer Extraordinary. The novel explores the Indian traditions and elegantly blends in elements of fantasy. The compelling characters and their adventures make it hard to sleep on time. Client d'A, Reviewer This is the first book I have read by this author, and I'm going to look into her others. You won't even realize how long you've been reading until someone interrupts you! S. Clem, Reviewer Can this, will this, be enough to help Aidan Little Boy in stemming such a great tide of evil? Only way to know for sure is to read on, dear reader, read on. I'm going to have to try out her other books. I'm sure I'd be vastly entertained. Rich, Reviewer Laine has such a way of writing that draws not just the mind of the reader, but pulls on heartstrings to connect with characters and story alike. Scored GOLD on this one! S. Wingate, Reviewer |
| manitou drum circle: With Mouths Open Wide John Caddy, 2008 John Caddy's latest collection of poems documents his recovery from a stroke. Carefully negotiating the balance of outside and inside, the poems rebuild a delicate web of cognition, identity, and perception. From the revulsion on a child's face as Caddy struggles to walk to the gift of a night nurse revealing a tattoo, the poems defy consolation in their consideration of mortality. Also containing poems from three previous collections, With Mouths Open Wide showcases the best work of a major contemporary poet. |
| manitou drum circle: Decolonizing Trauma Work Renee Linklater, 2020-07-10T00:00:00Z In Decolonizing Trauma Work, Renee Linklater explores healing and wellness in Indigenous communities on Turtle Island. Drawing on a decolonizing approach, which puts the “soul wound” of colonialism at the centre, Linklater engages ten Indigenous health care practitioners in a dialogue regarding Indigenous notions of wellness and wholistic health, critiques of psychiatry and psychiatric diagnoses, and Indigenous approaches to helping people through trauma, depression and experiences of parallel and multiple realities. Through stories and strategies that are grounded in Indigenous worldviews and embedded with cultural knowledge, Linklater offers purposeful and practical methods to help individuals and communities that have experienced trauma. Decolonizing Trauma Work, one of the first books of its kind, is a resource for education and training programs, health care practitioners, healing centres, clinical services and policy initiatives. |
| manitou drum circle: Touched by Thunder Waylon Gary White Deer, 2016-06-16 Touched by Thunder is a memoir and a multilayered narrative of indigenous experience by the honored artist, performer, and scholar Waylon Gary White Deer. |
| manitou drum circle: Kutenai Tales Franz Boas, 1918 |
| manitou drum circle: A Pre-Columbian World Jeffrey Quilter, Mary Ellen Miller, 2006 The articles in this book conceptualize the ancient New World through new and varied approaches, from iconography to the history of anthropology. The many essays in this volume explore the vast vista of the Pre-Columbian world, including representations of history, memory, and knowledge in Andean visual imagery and Pre-Columbian narrative, the ideology of rain making, and Maya beliefs about animal transformations. |
| manitou drum circle: Rock Lake’s Stellar Pyramids: Legends of Wisconsin’S Sunken Site a Preliminary Study J. Price Ph.D., 2020-02-22 In 1988, a side-scan sonar reading of Rock Lake, Wisconsin's underwater structures was recorded by drivers, under the direction of University of Wisconsin Professor of Civil Engineering Dr. James Scherz. After viewing the image, the author worked with Sac and Fox Nation elders in Wisconsin and Stroud, Oklahoma, to obtain the translations of the Medewigan, or Medicine Lodge. Similar legends are described in Ashinaubig, Menominee, Ojibway, and Winnebago (Ho Chunk) traditions and in an 1890 Ojibway text. However, the oldest written record of the Sauk Tribe is found in an 1100 B.C. Chinese Imperial record that describes the Emperor's notation of similarity in the warriors' archery skills and red-plumed Mohawks, which recalled their own Red Phoenix creation legends. |
| manitou drum circle: The Circle of Life James David Audlin, 2012-02-22 THE CIRCLE OF LIFE presents traditional oral Native American sacred teachings from the Iroquois, Lakota, and other traditions. The author has been receiving these teachings from elders since his youth. The wisdom embraces cosmology, ethics, epistemology, metaphysics, sociology, psychology, healing, dream interpretation, and more.Audlin calls himself neither a spiritual teacher nor an authority, but a conduit through which these oral traditions can be presented meaningfully to people in a modern world. He outlines universal principles common to many traditional peoples worldwide.The Red Road is available to all --regardless of religion or ethnicity -- willing to follow its paths. These paths, however, are often not easy and require deep personal and spiritual commitment. Audlin says in his introduction: If this book serves any purpose, let it be to help us bring the Sacred Hoop of All the Nations back together again, so we and all that lives may stand as one in silent awe before that Great Mystery. |
| manitou drum circle: Manitowapow Warren Cariou, Niigaanwewidam James Sinclair, 2011 This anthology of Aboriginal writings from Manitoba takes readers back through the millennia and forward to the present day, painting a dynamic picture of a territory interconnected through words, ideas, and experiences. A rich collection of stories, poetry, nonfiction, and speeches, it features: Historical writings, from important figures. Vibrant literary writing by eminent Aboriginal writers. Nonfiction and political writing from contemporary Aboriginal leaders. Local storytellers and keepers of knowledge from far-reaching Manitoba communities. New, vibrant voices that express the modern Aboriginal experiences. Anishinaabe, Cree, Dene, Inuit, M tis, and Sioux writers from Manitoba. Created in the spirit of the Anishinaabe concept debwe (to speak the truth), The Debwe Series is a collection of exceptional Aboriginal writing from across Canada. Manitowapow, a one-of-a-kind anthology, is the first book in The Debwe Series. Manitowapow is the traditional name that became Manitoba, a word that describes the sounds of beauty and power that created the province. |
| manitou drum circle: The Red Road to Wellbriety White Bison, Inc, 2006-01-01 Time and again our Elders have said that the 12 Steps of AA are just the same as the principles that our ancestors lived by, with only one change. When we place the 12 Steps in a circle then they come into alignment with the circle teachings that we know from many of our tribal ways. When we think of them in a circle and use them a little differently, then the words will be more familiar to us. This book is about a Red Road, Medicine Wheel Journey to Wellbriety--to become sober and well in a Native American cultural way.--Back cover. |
| manitou drum circle: The Boys' Journal , 1867 |
| manitou drum circle: Indian Horse Richard Wagamese, 2012-01-27 An unforgettable work of art.—The National Post Saul Indian Horse is dying. Tucked away in a hospice high above the clash and clang of a big city, he embarks on a marvellous journey of imagination back through the life he led as a northern Ojibway, with all its sorrows and joys. With compassion and insight, author Richard Wagamese traces through his fictional characters the decline of a culture and a cultural way. For Saul, taken forcibly from the land and his family when he's sent to residential school, salvation comes for a while through his incredible gifts as a hockey player. But in the harsh realities of 1960s Canada, he battles obdurate racism and the spirit-destroying effects of cultural alienation and displacement. Indian Horse unfolds against the bleak loveliness of northern Ontario, all rock, marsh, bog and cedar. Wagamese writes with a spare beauty, penetrating the heart of a remarkable Ojibway man. Drawing on his great-grandfather's mystical gift of vision, Saul Indian Horse comes to recognize the influence of everyday magic on his own life. In this wise and moving novel, Richard Wagamese shares that gift of magic with readers as well. |
| manitou drum circle: Believe Allan Kesick, 2013-10-04 This narrative is the spiritual odyssey of me, an American Indian who tried to live a life of a white man and, in the process denying who I was, and coming to terms of what I had become, a white man's Indian. A red apple, red on the outside and white on the inside. Through my willing participation, the process of cultural genocide was alive and kicking. I started out with the idea that my experiences would possibly benefit other American Indians whose addictions were out of control. I came to realize that just maybe this story could be an inspiration to anyone who is having difficult times. |
| manitou drum circle: Through the Eye of the Eagle Rod Kelly, 2005 |
| manitou drum circle: New Mexico Magazine , 1999 |
| manitou drum circle: Islands in the Sky Wayne D. (Wayne Douglas) Bliss, 1991 |
| manitou drum circle: Music in Canada Elaine Keillor, 2008 Offers a history of Canadian musical expressions and their relationship to Canada's cultural and geographic diversity. This book features a survey of 'musics' in Canada and includes forty-three vignettes highlighting topics such as Inuit throat games, the music of k d lang, and orchestras in Victoria. |
| manitou drum circle: Dayspring in the Far West M. E. Johnson, 1875 Includes accounts of missions to the Yukon and Northwest Territories by Rev. W.C. Bompas. |
| manitou drum circle: Sacred Grounds William A. Moore, 1999-10-19 Because of his dark skin and questionable origins, the young Cathan Dussault was taunted and ridiculed. Survivability in an insensitive world demands flexibility, and children are remarkably flexible. However, there are limits to a child's ability to manage his environment, particularly when negative inputs are overwhelming. Cathan came home from school one day anticipating a joyful reunion with his small sister. It was raining, and a daunting, muddy hill persuaded the bus driver to drop him off at a distance from the house. His uncle was not aware of the boys arrival, and the boy witnessed, through a keyhole, his uncle molesting his sister, who was too young to be quite aware of what was going on. When Cathan told their father, a violent scene ensued, but for reasons obscure to the boy, the uncle was not ejected from the house. Cathan and his sister must live in that house with innocence-shattering knowledge and under on-going pressure of reprisal by the uncle. The psychological hell that Cathan underwent worked upon his mind until it sought help from a bizarre source. He fell ill for a protracted time, and while in a near comatose state, he had a vision so real that years afterward he came to believe he had suffered an out-of-body experience. Though marginally aware of his mother's physical presence during his sickness, a part of him traveled to another plane. Within that otherworldly dimension, he was adopted by Indians that had inhabited the nearby sacred grounds long before. Through rituals, they gave the boy a new identity, and through physical trials, they taught him the meaning of fearlessness. When he awoke, physically ravaged by the illness, but empowered by the forgotten mystical experience, he found the inner strength to survive the hell of living in the same house with his uncle. He graduated from high school and left to seek his future. The conscious Cathan Dussault avoided memories of the ugly incident witnessed through the keyhole, but within him dwelled a personality not so forgiving. Recurring dreams inserted an uneasiness into Cathan's psyche, and he grew to believe that he was battling insanity. He did not realize that another part of him was exacting revenge against innocent proxies for his uncle's aberrant behavior. The angst of his other's deeds was seeping through well-constructed emotional barriers, trying to alert the moral Cathan Dussault to the wrongful behavior of his suppressed personality. Beyond the ken of the conscious Cathan Dussault, arcane forces were at play, guiding the actions of his secret persona. Could Cathan be held accountable for crimes he was unaware of? A half-breed Cherokee detective of the Bannock County Sheriff Department believed so. By accident, he linked the murders of several people with Cathan Dussault. Aaron Walker was dedicated to righting wrong, no matter how small or great the infraction. However, Aaron Walker shared an Indian ancestry, and he was unaware that arcane forces worked upon him as well. Are there forces outside human awareness controlling the actions of men? Are there clearly defined rules of human conduct inscribed upon some ethereal text that are sacrosanct, and their violations enforced by supernatural judge and jury? Though ignorant of his crimes, is Cathan Dussault guilty? If you dare to judge, read the book and don your black robe. |
| manitou drum circle: Grey Eyes Frank Christopher Busch, 2015-12-07T00:00:00Z Winner of the 2015 Burt Award for First Nations, Metis, and Inuit Literature! In a world without time and steeped in ceremony and magic, walks a chosen few who hold an ancient power: the Grey Eyes. True stewards of the land, the Grey Eyes use their magic to maintain harmony and keep evil at bay. With only one elderly Grey-Eye left in the village of the Nehiyawak, the birth of a new Grey-Eyed boy promises a renewed line of defence against their only foe: the menacing Red-Eyes, whose name is rarely spoken but whose presence is ever felt. While the birth of the Grey-Eyed boy offers the clan much-needed protection, it also initiates a struggle for power that threatens to rip the clan apart, leaving them defenceless against the their sworn ememy. The responsibility of restoring balance and harmony, the only way to keep the Nehiyawak safe, is thrust upon a boy’s slender shoulders. What powers will he have, and can he protect the clan from the evil of the Red Eyes? Check out “Grey Eyes in the Classroom,” the IndieGogo campaign aimed to donate copies of Grey Eyes to underfunded First Nation schools across Canada: |
| manitou drum circle: Dayspring in the Far West. Sketches of Mission-Work in North-West America. By M. E. J. With ... Engravings and a Map M. E. J., 1875 |
| manitou drum circle: The Stream Runs Fast Nellie Letitia McClung, 2022-08-01 DigiCat Publishing presents to you this special edition of The Stream Runs Fast (My Own Story) by Nellie Letitia McClung. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature. |
| manitou drum circle: Education in the Comanche Nation Linda Sue Warner, 2016-02-05 This collection delivers an altogether unique perspective of research on American Indian/Alaska Native education policy and practice by creating a cultural lens, framed as tribal core values, to allow readers to rethink research on and about tribal populations. The policies that affect American Indian education often create a disconnect between an general educational hegemonic mandate of one size fits all and the deeply held cultural beliefs of American Indian/Alaska Native peoples. This book provides current thinking about both policies and processes that support native ways of knowing and how tribal incorporation of values support the resiliency that characterizes the United States’ first peoples. It considers a range of issues, including the relationship between Native American fathers and daughter, how Habermasian theory applies to Native American education policy and the experiences of Indian college students in predominately white institutions. This book was originally published as a special issue of the International Journal of Qualitative Studies in Education. |
| manitou drum circle: Ogimaag Cary Miller, 2010-11-01 Cary Miller's Ogimaag: Anishinaabeg Leadership, 17601845 reexamines Ojibwe leadership practices and processes in the late eighteenth and early nineteenth centuries. At the end of the nineteenth century, anthropologists who had studied Ojibwe leadership practices developed theories about human societies and cultures derived from the perceived Ojibwe model. Scholars believed that the Ojibwes typified an anthropological type of Native society, one characterized by weak social structures and political institutions. Miller counters those assumptions by looking at the historical record and examining how leadership was distributed and enacted long before scholars arrived on the scene. Miller uses research produced by Ojibwes themselves, American and British officials, and individuals who dealt with the Ojibwes, both in official and unofficial capacities. By examining the hereditary position of leaders who served as civil authorities over land and resources and handled relations with outsiders, the warriors, and the respected religious leaders of the Midewiwin society, Miller provides an important new perspective on Ojibwe history. |
| manitou drum circle: The Sound of the Drum Beth Southcott, 1984 The Anishnabec (Anishinaabeg) are a group of culturally related Indigenous peoples that include the Ojibwe (including Saulteaux and Oji-Cree), Odawa, Potawatomi, Mississaugas, Nipissing and Algonquin peoples. This book examines Anishinaabe art and includes the biographies and works of 27 Anishinaabe artists. Introduction by Rosamond M. Vanderburgh. Talks of how birch bark pictography influenced later Anishinaabe art and includes examples of this transition. |
| manitou drum circle: Memoirs, Official and Personal Thomas Loraine McKenney, 1846 |
| manitou drum circle: Listening to the Fur Trade Daniel Robert Laxer, 2022-04-05 As fur traders were driven across northern North America by economic motivations, the landscape over which they plied their trade was punctuated by sound: shouting, singing, dancing, gunpowder, rattles, jingles, drums, fiddles, and – very occasionally – bagpipes. Fur trade interactions were, in a word, noisy. Daniel Laxer unearths traces of music, performance, and other intangible cultural phenomena long since silenced, allowing us to hear the fur trade for the first time. Listening to the Fur Trade uses the written record, oral history, and material culture to reveal histories of sound and music in an era before sound recording. The trading post was a noisy nexus, populated by a polyglot crowd of highly mobile people from different national, linguistic, religious, cultural, and class backgrounds. They found ways to interact every time they met, and facilitating material interests and survival went beyond the simple exchange of goods. Trust and good relations often entailed gift-giving: reciprocity was performed with dances, songs, and firearm salutes. Indigenous protocols of ceremony and treaty-making were widely adopted by fur traders, who supplied materials and technologies that sometimes changed how these ceremonies sounded. Within trading companies, masters and servants were on opposite ends of the social ladder but shared songs in the canoes and lively dances during the long winters at the trading posts. While the fur trade was propelled by economic and political interests, Listening to the Fur Trade uncovers the songs and ceremonies of First Nations people, the paddling songs of the voyageurs, and the fiddle music and step-dancing at the trading posts that provided its pulse. |
| manitou drum circle: An Encyclopedia of Shamanism Volume 1 Christina Pratt, 2007-08-01 Shamanism can be defined as the practice of initiated shamans who are distinguished by their mastery of a range of altered states of consciousness. Shamanism arises from the actions the shaman takes in non-ordinary reality and the results of those actions in ordinary reality. It is not a religion, yet it demands spiritual discipline and personal sacrifice from the mature shaman who seeks the highest stages of mystical development. |
