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Laura Dern in "Alice Doesn't Live Here Anymore": A Deep Dive into a Career-Defining Performance
Introduction:
Laura Dern's career is a tapestry woven with complex, nuanced characters. But her portrayal of Flo in Martin Scorsese's "Alice Doesn't Live Here Anymore" stands as a pivotal moment, a performance that showcased her raw talent and laid the groundwork for her future success. This article delves deep into Dern's performance, exploring its impact on the film, her career trajectory, and the lasting legacy of this iconic role. We’ll examine the character of Flo, analyze Dern's acting choices, and contextualize the film within the broader landscape of 1970s cinema and female representation. Prepare for a journey into the heart of a cinematic masterpiece and the unforgettable performance that cemented Laura Dern's status as a force to be reckoned with.
1. The Character of Flo: A Complex Portrait of Youthful Rebellion
Flo isn't simply a supporting character; she's a vital element in the emotional architecture of "Alice Doesn't Live Here Anymore." She embodies the youthful energy and restless spirit that contrasts sharply with Alice’s more mature struggles. Flo's carefree attitude and seemingly superficial lifestyle mask a deeper vulnerability, a loneliness that mirrors Alice's own in unexpected ways. Dern perfectly captures this duality, revealing Flo's complexities through subtle gestures, facial expressions, and a delivery that's both sharp and vulnerable. Her naivete and flirtatious nature, while initially charming, hint at a deeper insecurity, a yearning for connection and meaning that resonates deeply with the audience. We see her vulnerability through her dependence on Alice, her occasional displays of immaturity, and her quiet moments of introspection. This multi-layered portrayal of Flo transcends the stereotypical portrayal of a young woman in this kind of narrative.
2. Laura Dern's Performance: Raw Talent and Unforgettable Nuance
Dern's performance in "Alice Doesn't Live Here Anymore" is a masterclass in subtle acting. She doesn't rely on broad gestures or melodramatic outbursts. Instead, she uses her eyes, her posture, and the slight tremor in her voice to convey Flo's internal conflicts. Her chemistry with Ellen Burstyn (as Alice) is palpable, creating a believable mother-daughter dynamic, despite their unconventional relationship. Dern's ability to portray Flo's contradictions – her impulsiveness juxtaposed with moments of surprising wisdom – is what makes the character so compelling and enduring. The performance is a testament to her instinctive understanding of character and her exceptional ability to embody emotional vulnerability on screen. It's a performance that stays with you long after the credits roll.
3. The Film's Context: 1970s Cinema and Female Representation
"Alice Doesn't Live Here Anymore" was released in 1974, a time when female representation in film was still evolving. While the film centers on Alice’s journey of self-discovery, Flo's character adds a crucial layer to the narrative, presenting a younger generation's perspective on independence and self-determination. Flo's portrayal, while unconventional for the time, challenged the restrictive stereotypes often associated with young women in film. Her free-spirited nature and refusal to conform to societal expectations resonate even today, highlighting the film’s enduring relevance and Dern's contribution to a more nuanced portrayal of female characters. This context significantly enhances the importance of Dern's role, making her performance a progressive step in the evolution of women's roles on screen.
4. The Lasting Impact: A Career-Defining Role and its Legacy
"Alice Doesn't Live Here Anymore" marked a turning point in Laura Dern's career. The role of Flo not only showcased her considerable talent but also established her as a versatile actress capable of portraying complex and multifaceted characters. The film's success, coupled with Dern's powerful performance, paved the way for her future roles in critically acclaimed films and television series. Her portrayal of Flo remains a benchmark for her career, a testament to her early talent and a compelling reminder of her lasting impact on the cinematic landscape. This role is frequently cited as one of the reasons for her ongoing success, and it continues to inspire aspiring actors.
Article Outline:
Introduction: Hook and overview of the article's content.
Chapter 1: The Character of Flo: A Complex Portrait of Youthful Rebellion.
Chapter 2: Laura Dern's Performance: Raw Talent and Unforgettable Nuance.
Chapter 3: The Film's Context: 1970s Cinema and Female Representation.
Chapter 4: The Lasting Impact: A Career-Defining Role and its Legacy.
Conclusion: Summarizing Dern's impact and the film's significance.
(Each chapter would then be expanded upon, elaborating on the points detailed above.)
Conclusion:
Laura Dern's portrayal of Flo in "Alice Doesn't Live Here Anymore" is a powerful reminder of the artistry of subtle acting and the enduring impact of a truly memorable performance. It's a role that transcends its time, offering a complex and nuanced depiction of a young woman navigating the complexities of life and identity. Dern's performance serves as a testament to her exceptional talent and helped establish her as one of the most respected and versatile actresses of our time. The film, and Dern's contribution to it, continues to resonate with audiences decades later, a testament to its enduring power and relevance.
FAQs:
1. What is Laura Dern's role in "Alice Doesn't Live Here Anymore"? She plays Flo, a young woman who befriends the protagonist, Alice.
2. How old was Laura Dern when she filmed "Alice Doesn't Live Here Anymore"? She was 13 years old at the time of filming.
3. What is the significance of Flo's character in the film? Flo provides a contrasting youthfulness and a representation of a different generation's approach to life and independence.
4. How did the role of Flo impact Laura Dern's career? It was a pivotal role that launched her career and established her as a talented actress.
5. What makes Dern's performance so memorable? Her subtle acting, ability to portray vulnerability and complexity, and her believable chemistry with Ellen Burstyn.
6. How does "Alice Doesn't Live Here Anymore" reflect the societal context of the 1970s? It reflects changing societal expectations and the evolving roles of women.
7. What are some of the key themes explored in the film? Self-discovery, independence, motherhood, friendship, and the complexities of relationships.
8. What is the overall tone of the movie? A blend of drama, comedy, and pathos.
9. Where can I watch "Alice Doesn't Live Here Anymore"? Streaming services and DVD rentals.
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1. Laura Dern's Best Performances: A Retrospective: An in-depth look at Dern's most acclaimed roles throughout her career.
2. The Evolution of Female Characters in 1970s Cinema: A historical analysis of female roles in films of the era.
3. Martin Scorsese's Filmography: A Critical Analysis: A comprehensive examination of Scorsese's directorial work.
4. Ellen Burstyn's Career: From Broadway to Hollywood Icon: A biography of Burstyn's career and her contributions to cinema.
5. The Impact of "Alice Doesn't Live Here Anymore" on American Cinema: An analysis of the film's legacy and influence.
6. Laura Dern's Awards and Recognition: A compilation of Dern’s accolades and prestigious awards won throughout her career.
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8. Character Analysis of Alice Hyatt in "Alice Doesn't Live Here Anymore": A deep dive into the motivations and evolution of the main protagonist.
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laura dern alice doesn t live here: Honey, Baby, Mine Laura Dern, Diane Ladd, 2023-04-25 A NEW YORK TIMES BESTSELLER AND TOWN & COUNTRY BEST CELEBRITY MEMOIR OF 2023 “As actors, Dern and Ladd have spent decades peeling back layers to reveal their characters’ fears and desires. It’s when they turn that focus to each other and themselves that something remarkable emerges.”—New York Times A collection of deeply personal conversations from award-winning actress and activist Laura Dern and the woman she admires most, her mother—legendary actress Diane Ladd. What happens when we are brave enough to speak our truths to the ones we love the most? Laura Dern and Diane Ladd always had a close relationship, but the stakes were raised when Diane developed a sudden life-threatening illness. Diane’s doctor prescribed long walks to build back her lung capacity. The exertion was challenging, and Laura soon learned the best way to distract her mom was to get her talking and telling stories. Their conversations along the way began to break down the traditional barriers between mothers and daughters. They discussed the most personal topics: love, sex, marriage, divorce, art, ambition, and legacy. In Honey, Baby, Mine, Laura and Diane share these conversations, as well as reflections and anecdotes, taking readers on an intimate tour of their lives. Complementing these candid exchanges, they have included photos, family recipes, and other mementos. The result is a celebration of the power of leaving nothing unsaid that will make you want to call the people you love the most and start talking. |
laura dern alice doesn t live here: David Lynch Greg Olson, 2008-09-29 For nearly 40 years, David Lynch's works have enthralled, mystified, and provoked viewers. Lynch's films delve into the subjective consciousness of his characters to reveal both the depraved darkness and luminous spirituality of human nature. From his experimental shorts of the 1960s to feature films like Eraserhead, The Elephant Man, Blue Velvet, Mulholland Drive, and INLAND EMPIRE, Lynch has pushed the boundaries of cinematic storytelling. In David Lynch: Beautiful Dark, author Greg Olson explores the surreal intricacies of the director's unique visual and visceral style not only in his full-length films but also his early forays into painting and short films, as well as his television landmark, Twin Peaks. This in-depth exploration is the first full-length work to analyze the intimate symbiosis between Lynch's life experience and artistic expressions: from the small-town child to the teenage painter to the 60-year-old Internet and digital media experimenter. To fully delineate the director's life and art, Olson received unprecedented participation from Lynch, his parents, siblings, old school friends, romantic partners, children, and decades of professional colleagues, as well as on-set access to the director during the production of Twin Peaks: Fire Walk with Me. Throughout this study, Olson provides thorough analyses of the filmmaker's works as Lynch conceived, crafted, and completed them. Consequently, David Lynch: Beautiful Dark is the definitive study of one of the most influential and idiosyncratic directors of the last four decades. |
laura dern alice doesn t live here: The Encyclopedia of Film James Monaco, 1991 An alphabetical reference on the major film figures (stars, producers, directors, writers, et al.), past and present. Each entry provides a substantial career biography and a complete listing of all films the individual has been involved with. Annotation copyrighted by Book News, Inc., Portland, OR |
laura dern alice doesn t live here: Film and Television In-Jokes Bill van Heerden, 2015-09-02 In Only the Lonely (1991), Ally Sheedy appeases prospective mother-in-law Maureen O'Hara by going along to see the 1939 film How Green Was My Valley--starring Maureen O'Hara. Richard LaGravenese, slighted by critic Gene Siskel over his screenplay for The Fisher King (1991) wrote an unsavory character named Siskel into The Ref (1994). Movies and television shows often feature inside jokes. Sometimes there are characters named after crew members. Directors are often featured in cameo appearances--Alfred Hitchcock's silhouette can be seen in Family Plot (1976), for example. This work catalogs such occurrences. Each entry includes the title of the film or show, year of release, and a full description of the in-joke. |
laura dern alice doesn t live here: Scorsese Jim Sangster, 2012-08-31 Martin Scorsese’s obsession with sin and redemption, conflict and violence runs through much of his work. This essential guide to Scorsese explores his career from his early student works, including It’s Not Just You, Murray!: through his personal examinations of his Italian American heritage in Mean Streets, Italianamerican and Goodfellas: the extreme violence of Raging Bull, Taxi Driver and Cape Fear: and the religious themes – from a director who originally wanted to be a priest – of The Last Temptation of Christ and Kundun. Including all Scorsese’s films up to Gangs of New York, this is a comprehensive study of the work of this widely respected film maker. Also covering his influences, the controversy surrounding his films, exhaustive music lists and long-time collaborations, this is an extensive analysis of the most consistently passionate, committed and inventive film director of the last thirty years. |
laura dern alice doesn t live here: Girl Boy Girl Savannah Knoop, 2011-01-04 Soon to be a major motion picture starring Kristen Stewart (as JT) and Laura Dern. The JT LeRoy scandal is a story of our times. In January 2006, the New York Times unmasked Savannah Knoop as the face of the mysterious author JT LeRoy. A media frenzy ensued as JT’s fans, mentors, and readers came to terms with the fact that the gay-male-ex-truck-stop-prostitute-turned literary-wunderkind was really a girl from San Francisco, whose sister-in-law wrote the books. Girl Boy Girl is the story of how Savannah Knoop led this bizarre double life for six years, trading a precarious existence as a college dropout for a life in which she was embraced by celebrities and artists—Carrie Fisher, Courtney Love, Mary Ellen Mark, Winona Ryder, Asia Argento, Sharon Olds, Gus Van Sant, Mike Pitt, Calvin Klein, and Shirley Manson, to name a few—and traveled the world. Telling her side of the story for the first time, Savannah reveals how being perceived as a boy gave her a sense of confidence and entitlement she never had before. Her love affair with Asia Argento is particularly wrenching, as they embark on an intimate relationship that causes more alienation than closeness. As Savannah and Laura struggle over control of the JT character, Savannah realizes the limits of the game - - and inadvertently finds herself through the adventure of being someone else. |
laura dern alice doesn t live here: Legendary Locals of Meridian June Davis Davidson and Richelle Putnam, 2013 In 1831, Richard McLemore received a federal land grant of 2,000 acres located in the future Lauderdale County, Mississippi. He gave free land to those he considered good neighbors and built his home within the one square mile that would be incorporated as Meridian on February 10, 1860. On Valentine's Day 1864, Gen. W.T. Sherman's troops marched into the small railroad town. After burning the town, Sherman wrote in his journal, Meridian . . . no longer exists. Meridian did survive and became Mississippi's largest city due to its railroad and timber industries and progressive settlers like the Weidmanns, Marks-Rothenbergs, Threefoots, Rushes, Rosenbaums, Rileys, Andersons, and others. Within these pages, meet the people who proved Sherman wrong and continue to influence the area today. |
laura dern alice doesn t live here: The Mississippi Encyclopedia Ted Ownby, Charles Reagan Wilson, Ann J. Abadie, Odie Lindsey, James G. Thomas Jr., 2017-05-25 Recipient of the 2018 Special Achievement Award from the Mississippi Institute of Arts and Letters and Recipient of a 2018 Heritage Award for Education from the Mississippi Heritage Trust The perfect book for every Mississippian who cares about the state, this is a mammoth collaboration in which thirty subject editors suggested topics, over seven hundred scholars wrote entries, and countless individuals made suggestions. The volume will appeal to anyone who wants to know more about Mississippi and the people who call it home. The book will be especially helpful to students, teachers, and scholars researching, writing about, or otherwise discovering the state, past and present. The volume contains entries on every county, every governor, and numerous musicians, writers, artists, and activists. Each entry provides an authoritative but accessible introduction to the topic discussed. The Mississippi Encyclopedia also features long essays on agriculture, archaeology, the civil rights movement, the Civil War, drama, education, the environment, ethnicity, fiction, folklife, foodways, geography, industry and industrial workers, law, medicine, music, myths and representations, Native Americans, nonfiction, poetry, politics and government, the press, religion, social and economic history, sports, and visual art. It includes solid, clear information in a single volume, offering with clarity and scholarship a breadth of topics unavailable anywhere else. This book also includes many surprises readers can only find by browsing. |
laura dern alice doesn t live here: They Dared to Dream Karen Bystedt, 2008 A unique compilation of photographs and interviews with 16 of Hollywoods hottest celebrities. These A-list actors and actresses include Brad Pitt, Johnny Depp, John Cusack, Sandra Bullock, Laura Dern and Courteney Cox. Shot and recorded by Photographer Karen Bystedt, the photographs and interviews lend unique insight into some very fascinating lives. |
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laura dern alice doesn t live here: The New Biographical Dictionary of Film David Thomson, 2010-10-26 For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone). This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone. In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.” |
laura dern alice doesn t live here: Figures of Light Carole Zucker, 2013-11-11 It is a rare and remarkable book that provides a forum for actors to discuss, in their own words, their experiences, their craft, and the creative process that makes and informs a brilliant performance. This book of original interviews is just such a treasure. |
laura dern alice doesn t live here: Leonard Maltin's Movie and Video Guide 2002 Leonard Maltin, 2001 Leonard Maltin's Movie & Video Guide is an essential book for every film lover's bookshelf. Now this leading authority on American film brings us the latest edition of his acclaimed guide. The comprehensive 2002 edition includes: * Capsule reviews of more than 19,000 films, including over 300 newentries * Easy-to-read symbols indicating availability of more than 14,000 films onvideo * Over 7,000 listings of films available on laserdisc-and 3,000 available onDVD * A revised index of leading actors and actresses * Write-ups on every film series, from Charlie Chan to Tarzan * Notes on widescreen films that are best viewed in letterbox format * An updated list of mail-order sources for renting and buying videocassettesand discs * Leonard Maltin's exclusive list of the best family films of all time. . . and much, much more. |
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laura dern alice doesn t live here: Critical Mass James Wolcott, 2015-04-14 James Wolcott’s career as a critic has been unmatched, from his early Seventies dispatches for The Village Voice to the literary coverage made him equally feared and famous to his must-read reports on the cultural weather for Vanity Fair. Bringing together his best work from across the decades, this collection shows Wolcott as connoisseur, intrepid reporter, memoirist, and necessary naysayer. We begin with “O.K. Corral Revisited,” Wolcott’s career-launching account of the famed Norman Mailer–Gore Vidal dust-off on the original Dick Cavett Show. He goes on to consider (or reconsider) the towering figures of our culture, among them Lena Dunham Patti Smith, Johnny Carson, Woody Allen, and John Cheever. And we witness his legendary takedowns, which have entered into the literary lore of our time. In an age where a great deal of back scratching and softball pitching pass for criticism, Critical Mass offers a bracing taste of the real thing. |
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laura dern alice doesn t live here: Mississippi Secrets Dr. Gary D. McDowell, Ruth A. McDowell, 2007-06-19 Delve into the fascinating history of one of the South's greatest states with Mississippi Secrets: Facts, Legends, and Folklore. Authors Dr. Gary D. and Ruth A. McDowell offer an intriguing collection of little-known events in Mississippi's history. Written in short, easy-to-read vignettes, these tales uncover some of the state's most fascinating figures and legends from how the Choctaws and Chickasaws settled the land to a UFO encounter in Pascagoula. You'll also read about famous Mississippians, the American Civil War, the 1960s Civil Rights movement, living in Mississippi after Hurricane Katrina, and other captivating tales that include: The U.S. president who stole another man's wife, brought her to Mississippi, and married her before she was divorced The pirate who helped win the Battle of New Orleans and then retired to Bay St. Louis The national hero who killed a man in a knife fight in Natchez The blues singer who sold his soul to the devil in Clarksdale in return for his talent An interview with James Meredith Whether you're a native of Mississippi or simply curious, Mississippi Secrets will capture your imagination with what the history books never tell you! |
laura dern alice doesn t live here: Leonard Maltin's Movie Guide Leonard Maltin, 2017-11-28 Previously published as Leonard Maltin’s 2015 Movie Guide, this capstone edition includes a new Introduction by the author. (Note: No new reviews have been added to this edition) Now that streaming services like Netflix and Hulu can deliver thousands of movies at the touch of a button, the only question is: What should I watch? Summer blockbusters and independent sleepers; the masterworks of Alfred Hitchcock, Billy Wilder, and Martin Scorsese; the timeless comedy of the Marx Brothers and Woody Allen; animated classics from Walt Disney and Pixar; the finest foreign films ever made. This capstone edition covers the modern era while including all the great older films you can’t afford to miss—and those you can—from box-office smashes to cult classics to forgotten gems to forgettable bombs, listed alphabetically, and complete with all the essential information you could ask for. With nearly 16,000 entries and more than 13,000 DVD listings, Leonard Maltin's Movie Guide remains “head and shoulders above the rest.” (The New York Times) Also included are a list of mail-order and online sources for buying and renting DVDs and videos, official motion picture code ratings from G to NC-17, and Leonard's list of recommended films. |
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laura dern alice doesn t live here: The Rough Guide to Cult Movies Rough Guides, 2010-08-02 The Rough Guide to Cult Movies offers a blend of essential trivia and informed opinion as it takes you on a tour of the most compellingly weird - and weirdly compelling - films in the world. Whether you're a paid-up member of The Big Lebowski fan club or just looking for a night in with an interesting DVD, The Rough Guide to Cult Movies is the ultimate guide to the world's most memorable films. The Rough Guide to Cult Movies selects cinema's most compelling triumphs: films that are brilliant, intriguing or just plain bizarre; from action flicks to zombie films, by way of nuns, yakuza, musicals and mutations. You'll find expert, pithy reviews of over 1500 movies, with forgotten legends like Charlie Chan and the Opera or contemporary classics like There Will Be Blood, plus filmmakers' picks of their favourite cult movies, in their own words. There are good movies and there are bad movies and then there are cult movies. |
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laura dern alice doesn t live here: Leonard Maltin's 2010 Movie Guide Leonard Maltin, 2009 More than 10,000 DVD and 14,000 Video listings! 'I recommend Leonard Maltin's Guide, which has become standard.' - Roger Ebert's Video Companion NEW More than 17,000 capsule movie reviews, with more than 300 new entries NEW Up-to-date list of mail-order and online sources for buying and renting DVDs and videos NEW Newly update index of leading performers and an index of leading directors MORE Official motion picture code ratings from G to NC-17 MORE Old and new theatrical and video releases rated **** to BOMB MORE Exact running times - an invaluable guide for recording and for discovering which movies have been edited MORE Reviews of little-known sleepers, foreign films, rarities, and camp classics AND Leonard's ten new must-see movie lists |
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laura dern alice doesn t live here: Hi Honey, I'm Homo! Matt Baume, 2023-05-23 Lambda Literary Award Winner for LGBTQ+ Nonfiction 2024 Stonewall Book Honor Award Winner—Israel Fishman Non-Fiction Book Award Featured on NPR's Books We Love 2023 One of Vulture's Best Comedy Books of 2023 This book is a triumph and everyone should read it. —Dan Savage, journalist and author, on the Savage Lovecast Hi Honey, I’m Homo is a heartbreaking historical document, but ultimately one that will leave the reader feeling proud of how something as maligned and disposable as the network sitcom used comedy to bring about such profound and important social progress. —Vulture [A] well-curated compendium of prime time broadcasting . . . Baume is a companionable guide. —Shelf Awareness Behind the scenes of the most popular sitcoms of the 20th century, a revolution was brewing. For decades, amidst the bright lights, studio-audience laughs, and absurdly large apartment sets, the real-life story of American LGBTQ+ liberation unfolded in plain sight in front of millions of viewers, most of whom were laughing too hard to mind. From flamboyant relatives on Bewitched to closely-guarded secrets on All in the Family, from network-censor fights over Soap to behind-the-scenes activism on the set of The Golden Girls, from Ellen’s culture clash and Will & Grace’s mixed reception to Modern Family’s primetime power-couple, Hi Honey, I’m Homo! is the story not only of how subversive queer comedy transformed the American sitcom, from its inception through today, but how our favorite sitcoms transformed, and continue to transform, America. Accessible, entertaining, and informative, Hi Honey, I’m Homo! features commentary and interviews from celebrities, behind-the-scenes creators, and more. |
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laura dern alice doesn t live here: The Rough Guide to Cult Movies Paul Simpson, Helen Rodiss, Michaela Bushell, 2004 A comprehensive overview of cult movies that profiles cult films from every genre and includes trivia about films, actors, producers, and backstage happenings. |
laura dern alice doesn t live here: Leonard Maltin's 2014 Movie Guide Leonard Maltin, 2013-09-03 Summer blockbusters and independent sleepers; masterworks of Alfred Hitchcock, Billy Wilder, and Martin Scorsese; the timeless comedy of the Marx Brothers and Buster Keaton; animated classics from Walt Disney and Pixar; the finest foreign films ever made. This 2014 edition covers the modern era, from 1965 to the present, while including all the great older films you can’t afford to miss—and those you can—from box-office smashes to cult classics to forgotten gems to forgettable bombs, listed alphabetically, and complete with all the essential information you could ask for. NEW Nearly 16,000 capsule movie reviews, with more than 300 new entries NEW More than 25,000 DVD and video listings NEW Up-to-date list of mail-order and online sources for buying and renting DVDs and videos NEW Completely updated index of leading performers MORE Official motion picture code ratings from G to NC-17 MORE Old and new theatrical and video releases rated **** to BOMB MORE Exact running times—an invaluable guide for recording and for discovering which movies have been edited MORE Reviews of little-known sleepers, foreign films, rarities, and classics AND Leonard’s all-new personal recommendations for movie lovers • Date of release, running time, director, stars, MPAA ratings, color or black-and-white • Concise summary, capsule review, and four-star-to-BOMB rating system • Precise information on films shot in widescreen format • Symbols for DVDs, videos, and laserdiscs • Completely updated index of leading actors • Up-to-date list of mail-order and online sources for buying and renting DVDs and videos |
laura dern alice doesn t live here: Hollywood, the New Generation James Cameron-Wilson, 1997 The tinseltown machine has moved on. New movies, new faces, careers on the move, careers in trouble, careers on the rebound. In Hollywood: The New Generation, professional LA-watcher James Cameron-Wilson details the meteoric rise of stars such as Jim Carrey; Sandra Bullock, George Clooney and Will Smith - as well as tracking recent developments in the careers of all Hollywood's younger stars. Complete filmographies are provided for every star, and each entry is illustrated with a variety of characteristic stills and portraits. |